

I published a new piece at Escapist Magazine over the weekend. As Clare journeys deeper and deeper into the heart of darkness, she discovers that the suffering inflicted upon her and her family is just one expression of a more primal and insidious violence, and that perhaps she has more in common with Billy than she might originally think. However, perhaps the most striking aspect of The Nightingale is how – for all its unflinching brutality and refusal to offer trite sentimentality – the film advances an argument for intersectionalism. The Nightingale is a bleak and cynical piece of film, one that is occasionally suffocating and dizzying in its portrayal of man’s capacity for inhumanity. Kent’s direction is tense and claustrophobic, refusing to ever let the audience look away from the horrors inflicted upon the continent by the European settlers who presumed to claim it as their own. The Nightingale belongs to a rich tradition of Australian westerns including modern classics like The Proposal, stories that play on the frontier myth and explore the country’s deeply troubled and unsettled history. We thought we’d take the opportunity to have a talk about the best and worst of this list, both in general and over the past year, and also take a nostalgic look back at the year 1999.

Grace Duffy, who recorded Fifty Shades of Grey, Star Wars, Spice World, Rush and The Matrix.Jay Coyle, who recorded Twin Peaks: The Return and Capernaum.Niall Glynn, who recorded Twin Peaks: The Return.Richard Drumm, who recorded Twin Peaks: The Return.Confidential, The Avengers, Three Colours: Red, The Lion King, Once Upon a Time… in Hollywood and Exorcist II: The Heretic Luke Dunne, who recorded Bohemian Rhapsody, Spider-Man: Into the Spider-Verse, Texas Chainsaw Massacre: The Next Generation and Baby Geniuses.

Jess Dunne, who recorded Texas Chainsaw Massacre: The Next Generation.Doctor Bernice Murphy, who recorded The Exorcist and Exorcist II: The Heretic.Alex Towers, who recorded Room, The Matrix and Fight Club.Brian Lloyd, who recorded Twin Peaks: The Return.Carl Sweeney, who recorded Double Indemnity.Tony Black, who recorded Avengers: Endgame.Andy Hazell, who recorded Twin Peaks: The Return and Mary and Max.So, joining Andrew and Darren on this podcast are: This week, to mark the podcast’s three-year anniversary and passing the one-hundred-and-fifty-episode threshold, we decided to bring back as many of the guests from the third year as possible. Hosted by Andrew Quinn and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.
